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It offers 6 Reverb Modes plus an Expression Pedal Input to give you real time control over various parameters. Here's a good demo link by ProGuitarShop. Never been used; still in factory plastic. The FVL is a low impedance unit.

Boss makes a FVH high impedance volume for using the unit before the input of your amp while this 50L unit is low-impedance allowing direct control of stereo keyboards and stereo effects units.

Get this one, new in the box, for way less. Case is in decent shape as far as exterior, latches, and hinges. The only issue is the bottom Styrofoam and lining is missing. Other features include matte black swamp ash Jazz bass style body, Jazz proportioned maple neck with a maple board, smoky black pearl block inlays with the model on the 12th fret, and extra jumbo frets.

The neck pocket and neckplate are slightly beveled to allow more comfort in the upper frets. Set up is very comfortable and it's capable of producing a wide variety of quality tones. Click here for a demo by Pancho and some great reviews. Joyo R Atmosphere Reverb , pic2.

One of the best values I've seen on Reverb pedals, the Joyo Atmosphere has a wide selection of reverb types and plenty of tweaking for any setting. Included are 9 reverb types, mix control, decay, tone, and modulation knobs, plus a switch for trails. If this isn't enough it has cool blue accent lighting on the front and back of the pedal.

Hearing is believing. Earthquaker Devices Astral Destiny , pic2. Very powerful modulated octave reverb pedal that can sound very sweetly layered, or as wacky as you want. It features 8 reverb modes with 8 editable presets, assignable expression control, tails for natural reverb decay when the effect is bypassed and a super cool stretch feature that doubles the length of the reverb while adding an adjustable pitch bending effect.

For details check out their site here , or for a good YouTube video here. Excellent buy for the buck for anyone looking for a classic rock axe. Gibson released these in exclusively and also featured Flying V, Explorer, and Les Paul models, in black, blue, or white. Features include Satin White finish with what Gibson calls a textured satin finish, mahogany body, quartersawn mahogany neck, narrow Coke Bottle style headstock with Gibson deluxe tuners, single T ceramic-magnet humbucker, vintage wraparound tailpiece and very comfortable neck that they call a Melody Maker taper that's nicely rounded and slightly fat.

Set up is low and buzz-free with a very good rock tone which cleans up well when you back off the volume a tad. Offered in beautiful condition and includes original gigbag Gibson hardshell case available for upcharge. Premium quality 2" tubular nylon construction showcasing Satriani's own artwork, inspired by his famous guitars.

Other features include one-piece mahogany body and neck, Moon inlays, select rosewood fretboard and 25" scale. This came to us as near player grade but after 5 hours on the bench Martin has it looking really nice with just a few clear coat imperfections and several very minor finish touch-ups on the body edge and tip of the headstock but the paint match is very good.

It presents very well and anyone would admit it's in lovely shape for nearly 30 years. The only mods appear to be a bone nut installed and a replacement 5-way rotary. The Standard 24 is probably my favorite guitar PRS ever made, and its roots go back to the original "PRS Guitar", which was all-mahogany, before they had designations such as Custom, Standard, Studio, etc.

The way the pickups are aligned on the fret neck are much better at hitting harmonics and the overall tone always sounds more complex than the fret models. With an all mahogany body, you get a very warm and fat tone that makes practicing alone more enticing, and sounds more like a several guitars playing in unison than a single guitar. Neck carve is the "Standard" carve, in between a thin and fat and it's a great feeling neck.

This one came in with a gigbag but I've paired it with a very clean Pro Tech case from the 90s which is similar to the PRS case. Also includes trem arm. This one does it all: superb acoustic guitar, electric guitar, and synth driver.

The pin connector produces hexophonic output, which sends a separate signal for each string to a number of devices, including Roland's GR series guitar synths. You can make it as simple or complex as you want.

Nothing else plays and feels like an electric, but has a rich and distinct acoustic voice and none have been more resistant to feedback. Features include chambered mahogany body with easy-access controls, super comfy mahogany neck with Richlite fretboard, acoustic bridge output plus Seymour Duncan Lipstick Pickup with separate volume and tone controls.

There are two separate volume knobs on the side which come into play mainly if you use both the acoustic and electric outputs, where you'll have a control for each but you'll also have the ability to use just one output and then volume slider then becomes a blend control.

This guitar is in excellent condition with low, comfortable action. If you research online make sure you're looking specifically for "Multiac Spectrum SA" since Godin has used similar model names over the years for dissimilar guitars.

Also includes pin RMC cable. Part of the Contemporary Series, it's basically a very traditional 50's Strat, excepted fitted with a double-locking tremolo which allowed dive bombs and other tricks that simply weren't possible with a vintage tremolo system. Around this same time Fender produced many guitars with either the Fender System I tremolo or Kahler Fulcrum tremolo. Both used a standard nut plus a locking nut around an inch up the headstock. This Spyder system is much, much better.

One of the odd things about this model is that it doesn't have, nor did it ever have, a country of origin. If you look around the web you'll see this wasn't uncommon for this model during the timeframe and it's possibly due to the fact that USA hadn't warmed up to offshore manufacture yet. Just a few years prior all Fenders every made were USA and I guess they were hoping people wouldn't ask the salesman.

Features include basswood body, maple neck with slim "D" profile, 12" fretboard radius, 22 medium jumbo frets, locking nut only without a standard nut , Gotoh sealed tuners, USA Kahler Spyder double-locking tremolo, and ca. As well as I can determine from catalogs, the web, and my memory of the 80s, is that this model was produced sometime in the period '' Playability is excellent and condition is average for 35 years.

Nothing terrible, moderate player's wear. It sounds excellent and the flatter fretboard, large frets, and locking trem make it an excellent choice for heavier music, although you may want to swap out the bridge single coil with a stacked humbucker.

Nobody does amp simulation better than Brian Wampler and this one does a great job of cloning the tone of the Soldano SLO and its revered overdrive and tube saturation. You'll get the SLO thick saturation with complex harmonics and a well-defined classic crunch. In addition, you get a specially tuned clean boost, controlled by the Boost knob, which can be used independently or in addition to the overdrive section for more gain or simply more volume. It has a very solid build quality and features true bypass.

Very cool performance tool for vocalists who require harmonies and effects. Equally adept on stage or studio, it's designed to easily mount on a mic stand, and is angled if you want to put next to your computer or keyboard.

It features VLOOP, which is a performance vocal looping of vocals and guitar input including effects and allows 25 Favorites which you can customize, store and recall quickly. There are a lot of demos and tutorials on this unit on YouTube so have a look around. Includes original power supply. For those not aware of these great guitars, John McGuire has 30 years of experience in the guitar business. He basically grew up in the guitar shop and music store, Valley Arts Guitars, in Hollywood where his dad, famed luthier Mike McGuire, built Valley Arts into the finest handmade guitars of their day.

It's not surprising that these California Traditions guitars have quite a VA vibe to them as well as some design similarities. Shortly after Gibson he ventured out and created his own company. One of the design features that sets this apart, and borrowed in part from Valley Arts, is the Tone Socket neck joint which uses a brass-to-brass neck-body attachment as a better way to transfer energy. The neck has a brass tongue on it which aligns perfect with the brass groove in the neck pocket.

Once it's attached, a single exterior screw holds it in place but the alignment is so precise the single screw isn't really necessary. Neck also has the Warmoth truss adjustment on the side shown in pic above. Another impressive feature of this guitar is the ONE-piece ash body, rather than 2 or 3 pieces glued together.

Many people believe that single-piece bodies are better at energy transfer as well. Tonally it can cover plenty of ground from Jazz-Country to heavier rock. Includes quality McGuire case, tools, etc. A bunch of pedals just in and some nice guitars after I get these posted. So many of the lower priced OD's try to give you the most gain for the buck and it's refreshing to see Joyo produce one that's not about high gain.

The Focus adjusts the pedal's sensitivity to touch and playing dynamics, something many players cherish above gain. Housed in an aluminum alloy casing and features true bypass. Mint in the box, although the controls have been written in black marker to make them easier to see. Brian Wampler has built and refined what many feel is the best sounding tape delay emulator on the market.

Best of all, it does it without any of the hassle of tape or head adjustments. The modulation is unmatched. When you engage the modulation, it actually speeds up and slows down the echoes just like a true tape delay, with a modulation rate determined by how hard you attack the strings - the harder you strike the more the modulation is triggered.

This version 2 pedal adds sub divisions on the tap tempo. Caline Drifter CP Delay. It's remarkable how much value you can get for your effects dollar in ' Controls include Repeat, Mix, and Time controls. Also features true bypass, solid metal housing, and operates on any standard Boss-type 9V adapter. J Rockett Flex Drive. Rockett's most versatile OD, and named because of its wide range of tones. Originally designed to emulate the signature rhythm tone of Malcolm Young, it was discovered that it could also do Ed's tone from the VH-2 album, and then top it off with its ability to do Blues and Country, and you've got one flexible pedal.

Click here for a demo. J Rockett Blue Note Overdrive. Described as a very woodsy blues overdrive feel that can achieve more gain than a typical tube screamer, although this is not a TS clone. This switch adds more gain, more volume and boosts the low mids for a thicker juicier feel. Click here for demo. Good sounding level boost pedal with up to 20dB of gain boost.

Excellent Blues Breaker tone plus there's a Shine circuit that offers more sparkle on the high end. Offers choice of True Bypass or Buffer Bypass. Mosky Spring Reverb. Great addition to your non-reverb combo without spending a lot. Features Mix and Dwell so you can control the amount and decay rate — better than a one-knob amp reverb.

If you like the Malekko Omicron Spring Reverb, you'll like this. Xotic SP Compressor. Xotic makes some of the best stompbox effects on the market and the SP Compressor is definitely one of the best I've heard. It's quiet, subtle yet effective, and extremely compact save your pedalboard real estate.

It's the choice of Steve Lukather and many other pros. It offers the same OTA operational transconductance amplifier technology used in the Ross Compressor, thought by many to be the best vintage comp made. It also features true bypass and is solidly built for many years of trouble-free use.

Runs on 9V battery or optional 9V adapter. Two mods on this one: Added pickguard and stock Epi Probucker pickups replaced with an aged Porter Gatekeeper set. The guy just didn't like the Epi pickups and swapped them out on every guitar I've gotten from him. This Porter set, which he said was a drastic improvement, features authentically aged covers and features a 7. Original pickups are included should you want it stock. These Gibson Inspired models are most closely aligned with Gibson than ever before, especially the finishes which would take an expert to discern one from the other.

It's an exceptional player and has very good resonance when played acoustically. Includes Slash case, bumper sticker, warranty tag and stock pickups with plastic film still on top. Adjustable pedal angle, spring point adjustment and a metal connection plate for multiple pedal "ganging". Early S2 in high gloss finish. Pickups are S-2 7 Treble and Bass which are described by PRS as rich with some sparkle and substantial but tight low end in the bridge with the neck being a little darker providing great balance and vintage tones.

Tom Anderson "Switcheroo" Circuit and Pickguard. Desirable and hard to find part for vintage Anderson fans, was also offered as an aftermarket mod. Tortoise guard has some warping so you might want to switch guards. Threes switches under the guard select Series-Parallel-Split, while four mini toggles on top control the Blow Switch and each of the three pickups.

If that's not enough, this model comes with both the split P-Bass neck pickup and a single-coil J-Bass bridge pickup, offering you twice as many tones compared to a regular Precision. Great way to get that fat, crunch Paul tone without spending a fortune.

Uses the same tone blend of a mahogany body and maple top, but with plain maple and finished in their satin, aka Worn, finish. These finishes are thought by many to be tonally superior as the wood is able to vibrate more freely without a lacquer or poly coating.

It features the SlimTaper C-neck, a pair of Alnico Classic Pro humbuckers, trapezoid fretboard inlays, bound body and neck, mahogany body with laurel fretboard, Graph Tech nut, nickel hardware, Grover tuners, 2 volume and 2 tone with coil splitting. This guitar sets up very well, plays with ease and has an excellent selection of tones. EVH Wolfgang Pickups. If you're searching for Ed's tone, you need these.

New, never installed, with plastic film still on top. This is the original Mazerati built before they made the gain monster known as the GT. This Mazerati features world-class construction, with neatly applied Tolex on Baltic birch cabinets, cleanly soldered handwired circuit laid-out on vintage turret boards, and chassis-mounted tube sockets and potentiometers.

This amp is basically a higher powered Carmen Ghia head, delivering delivers rich, beautifully detailed tones that offer a pointed, yet musical midrange. High-end blooms with some AC30 chime, with great mids and swift attack that are more aggressive than Vox. It's not at all a gain monster but for seekers of headroom you'll be pleased that it never gets fully saturated.

Instead, it delivers a smooth, subtle breakup that retains your note definition much like Sticky Fingers era Keith. Thanks to beefy trannies, its low-end stays tight and focused even with the volume fully cranked. Two knobs may not seem to offer a lot of tone selection but when its quality tone you don't need any more and it sounds equally good regardless of the type of guitar you're using. Anything from a Tele to a Les Paul to a Rick. A quad of EL84s cranks out around 30 beautiful watts.

Includes Studio Slips dust cover. Unlike the Strat Plus that preceded this model, the American Deluxe had more upscale features that distinguished it from the stock Strat. Starting with pickups, a pair of Vintage Noiseless singles and a Fender DH-1 humbucker, controlled with a 5-way switch that provides the same classic Strat tones in positions , but a full-on humbucker tone in position 5.

Because of the Noiseless pickups, all settings are quiet while retaining the classic Strat tone. Other deluxe features include polished chrome locking tuners, LSR roller nut, polished chrome tremolo with pop-in trem arm, abalone dot inlays, rounded heel for comfort in the upper register, and raised chrome logo. Lovely condition with no noteworthy wear or scratches, extremely comfortable set-up, and a wide selection of tones you can only get from an HSS model.

You don't see very many of these in cherry sunburst and it's indeed a lovely color for a Strat. Includes original case, straplocks, tools, hang tags, and manual. If you're a fan of the LP look and tone, but want something a bit lighter just 7 lbs 6 oz and ergonomically designed you might want to consider this FM figured maple.

Features include set-neck construction; This guitar is a comfortable player. The gloss finish shines like new with no scratches or wear noted. It sets up surprisingly nice with very low action and the stock ESP pickups sound good in both the humbucker and single coil modes.

All in all, this is super nice guitar and, especially, a good value for a LP style axe. Gibson Deluxe Protector Case. The vintage models had issues with their latches which were bendable plastic on the 70s model, then small metal ones on the 80s. Both were ill-conceived and within a decade or so few had more than one or two working latches.

This new version features the ATA-approved spring latches which are much stronger. Very similar construction to the Gibson Protector above with the same latches, plush lining, and storage compartment. Hard to beat this for the money in terms of elegant appearance, easy of play, and quality tone. With its figured maple top with matching figured headstock, colorful Vector fretboard inlays, black chrome hardware, and multi-ply body and headstock binding, it's a great guitar to look at but it plays with such ease that I found it hard to put down and easily exceeded my usual 5-minute test drive.

A string-thru-body and perfect string angle over the bridge contribute to commendable sustain. Notes just bloom so much better than on a trem model. Other features include mahogany body with arched maple veneer top, double cutaway body with a deep treble cutaway and beveled heel make it easy to reach the upper frets, and a fast maple neck with rosewood fretboard that's thin enough to please most shredders.

Although marketed as largely a metal axe I found this guitar sounded very good for any style of music with just a tweak on the controls and different settings on my modeling amp. You'll notice it has a set of DR Neon guitar strings on it.

They feel great and sound good but let us know and we'll work something out if they're not your vibe. I'm not too familiar with the JS series and all I found on this model were satin finishes but this guitar definitely has a high gloss white finish. Features include arched top Poplar body, graphite-reinforced maple "speed neck" with rosewood fretboard, bound neck, 12"" compound fretboard radius, sharktooth pearloid fretboard inlays, 24 jumbo frets, two-point fulcrum bridge, and black hardware.

Pickups are Jackson high-output humbuckers and they sound good with searing leads and crunch out of the bridge and fat blues and smooth jazz tones out of the neck. Controls are simple with just a volume, tone, and 3-way selector. This guitar is in immaculate condition and plays with the ease of guitars costing 4X the cost. The neck is very shallow, much like an Ibanez and I find it very easy for fast fretboard tricks.

Cool upgrades on this one which are listed toward the end. Some premium specs and appointments on this model which was designed in conjunction with the great Joe Bonamassa to pay tribute to his rare '59 Burst which is had redone, essentially being brought back from the dead as with Lazarus. In addition to a neck with no scarf joint, it features a long neck tenon and Epiphone's LockTone bridge and tailpiece which "locks" onto the posts automatically and eliminates accidental drops in pitch while adding tone and sustain.

Lastly it comes with a vintage style brown case that closely resembles the Lifton cases of the 50s, and includes a presentation folder with photo and certificate. Other features include mahogany body with wide grain AAAA flame maple veneer, single ply cream binding on top and fretboard, 1-pc mahogany neck with long neck tenon, 50s rounded Medium C neck, Indian Laurel fretboard with pearloid crown inlays, 12" radius, 22 medium jumbo frets, Graph Tech nut, nickel hardware, Epiphone Deluxe tuners included in case , cream pickguard, 2-way adjustable truss rod, and Gold Top Hat knobs with dial pointers.

Epiphone calls the finish process "aged gloss" which is a thin poly finish that resembles the lacquer finish of Gibson's VOS. Upgrade 1: top has been buffed out to a higher gloss, making it look even more like a VOS finish. Original Burstbuckers are included in the case. Upgrade 3: If you prefer a wider string spacing note that saddles have been changed to a wider spacing than a standard LP.

Original saddles are in the case. Original tuners are in case. Set up is impeccable as is the overall condition. This was a limited run model and it has been discontinued. Also includes original case has some scratches on it and certificate.

One of the new "Inspired by Gibson" models which recreates the sound of the original 50s models. This model is a Chicago Music Exchange exclusive with some nice features. Of course it features a classic mahogany body with a figured maple cap and mahogany neck with long neck tenon.

Please note that the stock pickups, which are included, have been upgraded with a great set of DiMarzios with a 36th Anniversary 9. Other features include cream binding on body and neck, '59 neck profile, Graph Tech nut, Laurel fingerboard, LockTone ABR Tune-o-matic bridge and stopbar tailpiece, Epiphone Vintage Deluxe tuners, nickel plating, ProBucker-2 neck pickup and ProBucker-3 bridge pickup both included in case , dual volume and tone controls, CTS electronics and 50s style wiring.

I had a customer ask me if I'd had any of these Inspired by Gibson guitars in stock several weeks ago. He said I was going to be blown away at the quality for the price. He was not wrong. This Figured ES has killer looks, excellent fit and finish, and quality tone. Like this Gibson model it starts with a bound laminated maple body, with a bound mahogany neck and a pair of Alnico humbuckers. The tone is classically warm and sounds smooth when played aggressively with overdriven tones.

A semi-hollowbody guitar, it uses a maple center block to prevent feedback while adding to the guitar's excellent sustain. Also, on this figured model you get stunning flamed maple top, back, and sides, plus block fretboard inlays that give it the look of a 60's model. Neck is Epi's rounded C which is easy to get your hand around and sports a rather flat 12" radius which covers lead and rhythm work equally well.

This model was first established as a blues and jazz guitar but soon it quickly accepted into the arsenal of noted rock players and in recent years has become a favorite on country music stages. Unlike many dual-humbucker guitars, I found the middle position on these to be extremely useful with a bit of funkiness in the tone and a little more compression. Very useful. Epi has a history with semi-hollows dating back to the late 50s with the Sheraton and Rivera, so these guitars are firmly in their DNA.

All other specs are the same. Playability and tone are likewise excellent so it basically comes down to which cosmetics you prefer. An affordable, high quality San Dimas style with the bells and whistles of the more expensive USA models. The Pro Mods still feature a genuine Floyd Rose trem, Duncan pickups, and that wonderfully natural feeling Charvel maple neck. Killer pickups in this model with a Duncan TB-6 Distortion bridge and a Duncan SH-6N Distortion in the neck, allowing a wide variety of tone and good response to playing style and volume control.

Alder body features the contours of the original 80s models and the neck features rolled fingerboard edges that give it a nice broken-in feel and seems to allow me to play a bit faster. The neck their "speed neck" profile with a 12"" compound radius with a hand-rubbed urethane finish and jumbo frets. Floyd Rose is an excellent trem system that seems impervious to going out of tune and bends very predictably and accurately.

It also features a great felling two-piece maple neck with 22 jumbo and a pair of graphite reinforcement rods to make it as stable as a neck can be. Officer in perfect condition other than perhaps a few pickguard scratches. Excellent quality Japan model that has the same vibe and tone as original 60s Ventures models that I've played.

For being nearly 50 years old it's one of the cleanest vintage guitars I've had and includes both original hangtags and even a Mosrite string pack. Includes a quality original case in similarly clean condition. Semie Mosley wasn't the best businessman so Mosrite agreements and such are written in pretty muddy water. But, based on some web info I've gathered, here's some background on this model. It was built in Japan as a result of an agreement between Semie Moseley and the Firstman company.

It has the classic Mosrite design aspects including a deep German Carve on the basswood body, zero fret, Moseley-branded vibrato tailpiece, two overwound 8. The maple neck has a rather shallow C profile with very rounded shoulders.

The bound rosewood fretboard has original medium jumbo fret wire with more meat and height than typical Mosrite wire, exhibiting only light wear beneath the plain strings on frets and fainter flattening of the crowns until fret 5. The only mod on the guitar are upgraded modern Kluson-style tuners. It weighs in at 9lbs 3oz. Cosmetically it's in stunning vintage condition with just a little patina on the chrome hardware and only a few very minor nicks and scratches in the black gloss finish.

Original Tolex case is in remarkably nice condition as well and included inside are 2 original hangtags and a Mosrite string pack. If you're a fan of Johnny Ramone, The Ventures, or any of the other Mosrite endorsers from the 60s and 70s, this is a nice find.

Modern classic from Rick with the iconic design outfitted with an oil-finished walnut body and maple fretboard. Specs are basically the same as they've been for many decades: hollowbody design, all walnut body, R-tailpiece, fret maple neck with dual truss rods, 10" fretboard radius, master presets for volume and tone, bi-level pickguards, black dot inlays, Schaller tuners and strap pins, and high-gain single-coil pickups that deliver a clear, ringing tone to saturated overdrive.

Cosmetically collector owned and played sparingly. No scratches or wear. Frets are like new and it sports a superb low set up. Nothing sounds like a Rick, or has the vibe of a Rick. Rivera Rockcrusher Attenuator , back. A must have for anyone who wants to hit the sweet spot on their amp while keeping the stage volume low enough for the sound engineer to manage. Of course it's also good for getting the best possible studio tone in a residential neighborhood.

In fact you don't even need to use a cabinet - just run it straight into your mixing board or studio deck. Speaker cabinets inherently don't provide as pure a tone as your amp puts out. The Rockcrusher give you pure guitar tone at any level. Rivera has the manual downloadable here. Opens up to poster-size. Cool stuff here. Made long before the internet when information was harder to find. Covers things such as cords, strings, bridge adjustments, neck adjustment, string height, and on amps, tube failure, tube sockets, hum balance control, vibrato failure, reverb failure, speakers, re-coning, input noise, trannies, ground noise, pickup noise, and circuit symbols.

From a store binder so it has 3 hole punch holes. Full color, 12 pages, full line of archtops, those wacky solidbodies, and basses. Genuine vintage. Not many of these around. Full color, 42 pages, genuine vintage paper. Those were the days. Genuine vintage, not repro. Perfect solution for your sway back ABR Save the expense of buying a complete assembly.

Various years, some nickel some chrome. Gibson changed from nickel to chrome during '65 so this is for '65 or later to be period correct. No cracks. Solid piece. Allows you to intonate every string. Used condition works fine. Tonepros Standard Tailpiece. This one is without studs but most players will just use their old studs. Clean shape. Same specs as the Gibson above. Good quality TV Japan part. Excellent quality bridge made by Gotoh for Wilkinson. Affordable MIJ vintage bass.

Made in Japan by the Matsumoko factory which was once a huge builder of golden-era Japan guitars, in production from the mids through when they went bankrupt.

I played a Vantage bass in the early 80s and it remains one of my favorite basses of all time. This Avenger model features a Japanese ash body, chunky 3-ply maple neck and fingerboard, brass bridge and saddles, brass nut, and a single P-bass pickup with volume and tone controls. The chunky neck feels very much like an early 50's P-bass later called Telecaster Bass and is quite substantial from the first fret to the top fret.

It has typical finish chips scratches and scrapes but nothing horrible, just a well used bass. Frets are in great shape.

Set up is comfortable, good sustain, and classic P-Bass fat tone. Includes an old pair of leather strap holders, which have been out of production for some time. They give you a looser feel with the extra pivot point. Custom , front detail , back , headstock inlay , side. Stunning looks, excellent tone and playability. The scaled down body size makes it especially comfortable to play, whether seated or strapped on.

This is a top-shelf Epi with fine cosmetic appointments and a pair of Gibson '57 Classic humbuckers, which are the pickups favored by a major of our Gibson customers. It really sounds and looks like a much more expensive instrument.

Constructed with top quality mahogany and figured maple, it has the tone that's made Gibson the standard in power electrics since the 50s. Johnny A. Another Johnny A. Lastly, it is outfitted with a genuine Bigsby B70 vibrato and features gold hardware for the icing on the cake. Just a stunner in all regards. Set up low and very comfortable all the way up the neck.

I don't see a flaw anywhere so I'm guessing it's barely been picked up. This model has been discontinued and there are no new ones on the web. Nice do-it-all mixer with quality preamps, bit effects, and good signal routing flexibility.

It's an excellent choice for home recording studios, Podcasts, and live sound. It includes 8 mic preamps with plenty of headroom, 2 assignable AUX busses use one for monitor, one for internal effects, for instance , and a 3-band EQ.

It's 16 digital effects include reverbs, chorus and flanger, plus combos - and it has tap tempo. It's easy to get around on and hard to beat for the money. Perfect condition in the box. Without a doubt one of the closest clones ever made. Finished in a flat black powder coated finish with an LED that throbs to the beat of its asymmetrical rhythm with a pot that gives you access to all speeds from slowest to fastest, all with a perfect sweep and no abrupt speed changes.

The large knob is easy to change speeds on the fly simply by turning it with your toe. It's true bypass and works with the supplied 9V DC adapter or any pedalboard power supply on the market.

Includes original box and power supply and paperwork. For a good demo checkout ProGuitarShop here. Uses a real Accutronics 8" 3-spring reverb tank with a driver stage. Blend knob controls the mix from wet to clean and the gain knob controls the amount of reverb. Works on 9V battery or external adapter, measures 9" X 3" X 1. We've tried to fix this with no luck. This very popular delay and reverb simulator was carefully crafted to nail the tone of the classic Echoplex Tube Analog Tape Delay.

And it handles and operates far more conveniently and reliably than the original. Spin this knob to take a trip through time. Go back 40 years, or stop anywhere along the way. Set to the far left, it delivers uncolored digital delay. As the knob is turned clockwise, it delivers more and more of the three-dimensional "wow, flutter and spin" that made vintage tape delays so desirable. Other specs include: the original sound of tube-driven vintage tape delays; choice of single-head or dual-head delays or vintage tube reverb; true bypass setting leaves source signal completely unaltered; rugged metal housing; delay time variable between 10 and ms.

This unit is everything good about an Echoplex tone without any of the negatives reliability and noise. Includes original power supply and I think I have the manual but no promises on that. For the low end there's a Hz bass roll-off switch to keep the flubbing away. Just a beautiful full body, transparent tone at 40Hz—20kHz. Absolutely dead mint, only removed from the box one time to shoot pics. Killer player, cool piece of history.

The JV series were built specifically for the Japanese market but later in the year, with the addition of the Squier moniker, they began to export to Europe. Fender smartly decided to start shipping to the USA, again with the Squier logo, but produced as 70's reissues with the large headstock, 3-bolt neck attachment with tilt-adjust, black plastic parts, and bullet truss rod adjustment. They were still made by the Fujigen guitar company, under contract with Fender.

Fender's quality control in the USA wasn't very good during this era. Blows the mind. About this guitar: It's an exceptional player with a neck as true as you'll find. Vintage frets have been dressed so they're not very tall but it has such a perfectly straight neck and exact neck angle that it doesn't hurt the tone or playability at all. Bends with ease without choking out and action is low all the way up the fretboard.

Cosmetically it's in typical condition for a guitar of its age with miscellaneous dings and there are several engravings on the neckplate. Appears to be all original other than back plate should be 6 oval holes rather than a wide slot.

It features original Fender Japan tuners and 2-pc tremolo with heavy steel block with block saddles, all in all the same trem used on early 70s Strats. MI Audio from Australia builds this one for seekers of super crunchy high-gain Marshall tones.

They've used multiple clipping architecture design to provide, as they say, a Marshall on steroids. As crunchy as any modded Marshall you've heard.

Electroharmonix C9 Organ Machine. One of the coolest pedals to debut in the last decade. The C9 does pretty authentic organ sounds without the need for Midi. It features 9 keyboards including various Hammond, Farfisa, Vox, Clavioline and even Mellotron-style tones, with a mono input and separate output jacks for the dry guitar and processed organ signals. The Dry knob adjusts the dry volume level, while Organ adjusts the organ volume level.

I noted no tracking problems or glitches of any type, which is an improvement over many guitar synths. Includes power supply. Fairly nice shape. Excellent quality from TKL Canada. Could use a good cleaning but otherwise nice shape. New in the bag and perfect. Velcro bottom and includes Velcro for your pedals. Holds two heavy duty speaker stands.

For your III head or other 20" head. Fender Jazz Bass Manual and Hangtag. Perfect case candy for your vintage Jazz bass. Latches and hinges work fine. For additional pics click here for the original Sweetwater listing for this guitar. The is the evolution of the original platform, with simplified switching. As one of the most versatile guitars in the PRS lineup, the new harnesses the power of 5 pickups to deliver 9 uniquely musical tones. The starts with a 5 single coil platform - with the outside four coils grouped as humbuckers.

An innovative switching system a 5-way blade switch and two mini-toggle coil-tap switches , gives players an array of humbucking, single coil, and blended tones. Other features include 22 jumbo frets, This guitar was collector owned and appears to have been unplayed. Set up is low and comfortable and it has excellent sustain with very good acoustic projection.

Includes black paisley PRS case and all the case stuff. First up are two hand-wired Budda combos:. Before he sold Budda, Jeff had a small company that did some of my repairs and built some killer little amps called Budda, all hand-wired and built in small numbers. After gaining a reputation as the amp guru of the Baltimore area, doing Marshall mods and various repairs and hot-rodding, his extensive knowledge went into designing some of the best boutique amps ever made.

After Jeff sold his company, he stayed on at the Maryland factory, aka "Budda East", building both his original designs plus the new "Superdrive" series, which initially were still hand-wired. The hand-wired series, which offered little profit margin, soon fell victim to corporate thinking and was discontinued in favor of the "Superdrive II", which were strictly circuit board designs.

The watt Verbmaster was one of Jeff's hand-wired prior to the sale this one's a model. Most of these featured a quad of EL84's but a few, like this one, were built with a pair of 6L6's. This amp delivers complex tone characteristics, rich in harmonic structure and organic in nature. The tone can be described as a cross between a Deluxe and an AC30, with the aggressive attack of a Plexi. It's a fairly complex amp for Budda, which generally featured 3 knobs and no frills, not even an fx loop.

The Verbmaster features an excellent sounding reverb with two distinct sounds, "sand" and "surf"; Hi-gain and Normal inputs, each voiced differently; and the usual bass - treble - volume controls. The high-gain input adds a tube stage to overdrive the normal input's gain stage, which in turn drives the unique tone-control stack. The dual reverb circuit features a darker sound with high-end roll off in the "Sand" setting, with "Surf" being a more over the top brighter tone.

This amp breaks up very early and isn't recommended for anyone looking for clean headroom - but for a non-master volume high-gain amp, you get a beautiful tube breakup at a relatively low volume.

For many players, this will be the perfect amp for larger clubs. In typical Budda fashion there's nothing conservative about the wattage rating. This amp will stand up against many other tube amps rated at 50 watts or more. Here's a sample of the versatility of the smaller 18W Verbmaster 1X12 , using only a guitar's volume control no effects were used , click here for a YouTube demo.

Budda is know as much for their touch sensitivity and players who appreciate this characteristic will especially love this amp.

OEM speakers are made by Eminence for Budda and sound very good. Budda hand-wired amps remain some of the best values on the market, and one of the few that weren't clones of Fender or Marshall.

Priced below original dealer cost back when the original hand-wired were still being built. No promises but I can probably find it. Budda Verbmaster 18 4X10 Combo , panel , top , back , back panel , footswitch , chassis. Back in the day Jeff Bober had a small company that did some of my repairs and built some killer little amps called Budda, all hand-wired and built in small numbers.

Jeff eventually sold his company, but stayed on at the Maryland factory, building both his original designs plus the new "Superdrive" series, which were great amps but not hand-wired. The hand-wired series, which offered little profit margin, soon fell victim to corporate thinking and was discontinued.

The Verbmaster was a fairly complex amp for Budda, with more than 3 knobs and an effects loop. For many players, this will be the perfect club or practice amp. Although 18 watts may seem rather tame, this is a deceptively loud amp.

For a good example of the versatility of the Verbmaster 1X12 , using only a guitar's volume control no effects were used , click here for a YouTube demo. Other than the Anniversary model, which is great but overpriced, Budda hand-wired amps remain some of the best values on the market, and one of the few that weren't clones of Fender or Marshall. As new condition. I haven't had this color since I regularly got in Fender's International Series from a few decades ago.

The public had become aware of 60's custom colors fetching far above sunburst or natural. Anyhow, on to this guitar. This one actually ticks two boxes since it's a limited color and a 75th Anniversary model. The new Player Series boasts an updated radii for more historically accurate body shape and a classic logo that goes back to the pre-CBS years, but it also has modern enhancements such as a 22 fret necks, upgraded bridge for better sustain, and new Alnico 5 pickups for that classic Fender quack.

They've also re-thought the wiring and on the new Players Tone 2 operates the neck and middle, while Tone 2 is dedicated to the bridge.

Other features include 2-point fulcrum tremolo, standard Fender tuners, medium jumbo frets, 9. Includes trem arm, hang tags, and all paperwork. This pickup-and-preamp system eliminates the need to cut a hole in the upper bout to house electronics and uses volume and tone controls tucked inside the bass side of the soundhole. It includes a bridge plate—mounted transducer as well as an imaging feature engineered to emulate the sound of the guitar as if it were mic'd in the studio.

This tonality is blended with the dry signal via a thumbwheel control inside the treble side of the soundhole. The DE is very much a traditional Martin dread, with a Sitka spruce top, East Indian rosewood back and sides, and Ebony fretboard, with gloss-finished top. The sides and back have a satin finish which is conducive to great tone. Tonally, the rosewood contributes to excellent resonance with deep base and rich overtones, while the spruce top adds balance, crispness and responsiveness.

Neck is a high-performance taper for easy playability up and down the fretboard. Plugged in, the Matrix VT Enhance does an excellent job of not coloring the acoustic tone. Both pickup and preamp are noise-free and feedback resistant, and they minimize annoyances like string squeak and body noise, which makes a good system for both live gigs and recording. This guitar came to use with a top crack shown here , which is no big thing with Martins but I discounted nicely for it. Martin my tech—not the company did an excellent repair and it should never pose a problem.

It's a very shallow C shape with very little shoulders and from all the necks Fender has made over the years is probably the easiest to get your hand around. It also has a maple skunk stripe instead of rosewood. I know people associate these pickups with vintage Danelectro's but honestly they sound very Strat like in all 3 positions but perhaps a bit more percussive, which I appreciate. A review in Premier Guitar commented, "I was shocked, and a little dismayed, that in many ways the Squier sounded nearly as good as my Custom Shop Strat that cost me about eight times the price!

It also features a beautiful Surf Green body with a white pearl pickguard and vintage tremolo with stamped saddles. Neck features the original F-tuners as well as the F-neckplate. Overall excellent condition all around other than a small finish chip next to the neck pocket pic. Being honest here, as good as the is much of the value comes from neck which is essentially an '83 USA Tele.

But it sets up perfectly and is an exceptional player so I'm hesitant to separate a great combo that works. If you're looking for something unique this could be the ticket. For all the guys lusting after the Boss Dimension C, you should check this out. Click here for a good shoot out with the Dimension C…you decide.

Compares favorably with the Boss OC-2 but much cheaper. Includes manual. Digitech Bass Multi-Chorus. Good sounding bass chorus with enough tweaking to copy a number of styles. Built like a tank too. Electro-Harmonix Bass Clone. Robust built for years of road use. Custom-Built 1-button Amp Switcher. Red LED turns on when active. Custom Built 1-button Volume Control. Best we can figure the guy used this as an attenuator between guitar and amp. Click it on and the volume goes down to whatever level you have the pot set.

Click it off and signal goes back to full output regardless of where the pot is set. Beautiful condition and refinished in a classic Matte Army Drab which has become hard to find. It was originally black. As you can see in the pics, headstock painted to match the body and no logo has been applied after the refin. Additionally, it has EVH-approved eyehooks in place of standard strap pins original strap pins are also included. Note that the back cover is included and will be installed.

This means the neck plays very fast and easy and with the graphite, it will hold a set up much longer, especially during temperature and humidity changes. Other comfort features include a forearm contour for less arm fatigue as well as a belly cut that allows the guitar to fit your torso more comfortably. The EVH-branded Floyd Rose tremolo with R2 locking nut works very well and holds up very well even with extensive use. A pair of direct-mounted EVH humbuckers sound fat with good sustain and not as muddy as many humbuckers, possibly because of the basswood body which I think rings a bit more than mahogany.

Set up is very comfortably low with no fretting out or other issues. This is my own personal mixer, in excellent condition, and stored in a box for the past 20 years. I bought this after selling my mammoth pro sound system which included a channel board that weighed over lbs with flight case. The Mackie weighs 7 lbs and is just as sturdy and roadworthy. It also has great specs click here for all 4 pages and didn't require any learning curve since I'd be using mixers for decades.

Boss BF-3 Flanger , modes. Another pedal that had been around for 21 years, the BF-2, was finally replaced in with the BF-3, again with major changes from the previous pedal.

Technically speaking, the BF-3 uses digital electronics instead of the "bucket brigade" circuits used by older Flanger pedals, which results in very low noise. It also features a momentary mode which turns on flanging instantly as well as a tap tempo to set your flanging in time with the beat.

It features separate bass and guitar inputs as well as stereo outputs. Here's a brief demo link which shows some of the flanging effects, as well as a very trippy chorus near the end. Has Velcro on bottom plate but otherwise nice shape.

Source Audio Gemini Chorus , pic2. Great sounding chorus with forward-thinking technology including controls via iOS or Android apps - and Midi. This is great for those liquid sounding stereo chorus effects that usually sell for much more than the Gemini.

Just dial in your chorus and fine tuning with the Mix and Tone controls. You'll be in chorus heaven Click here for a good demo. It gives you 6 presets to work with, including 3 that must be accessed via your PC or phone. Note: Not pictured but included are both back plates.

A lot of players don't know that HM's aren't just a heavy metal guitar. Pickups are the stock DiMarzio humbucker in the bridge with American Standard single coils in the middle and neck. The 5-way selector yields the same combinations as a vintage Strat, other than position 5 which is the humbucker, while position 4 is one coil of the humbucker combined with the middle pickup.

It's very much the same hollow tone you'll gear in position 4 of a vintage model. Someone had replaced the Kahler nut with a Floyd Rose nut but luckily we had a Kahler in stock and switched it back.

Features include Kahler Spyder double-locking tremolo licensed by Floyd Rose , quality Gotoh tuners, side-mounted barrel output jack, flat fretboard 17" radius with 24 jumbo frets, an un-Fender like 25" scale, Strat shaped body with the cutaways and heel beveled to provide maximum ease in playing in the upper register. Controls include the usual 5-way selector plus volume, tone and the "new" TBX control, which is a welcomed addition over guitars like the Baretta that featured a volume control only.

Knobs were plastic with rubberized sides with "F" stamped caps which are prone to falling off and many of these caps have been lost over the years. Most HM's have a very dark rosewood fretboard which is generally tight grained and looks almost like ebony. The necks on these are very thin and wide, with only a sealer coat which provides a very natural feel and doesn't stick to your hand. Nice player in a fairly rare and cool color. Again, both back covers are included. Someone asked about the light color on the fretboard…Martin said it needed conditioning…He conditioned it…beautiful!

While it was benched he also cleaned the nickel plating on the bridge and tailpiece. Gibson's Class 5 set the new standard for rating their maple tops. If you look around the web, especially Reverb, quilted maple is very rare, outnumbered by the more common flamed maple 10 to 1 and I'd say, anecdotally, that PAF's outnumber P90s on this model by 20 to 1.

Other than the fantastic top, perfectly bookmatched and very 3D in appearance and their most choice mahogany, this is simply an extremely well built Les Paul Standard.

Other features include long neck tenon, bound body and neck, mother of pearl fretboard inlays, dual P90 pickups, and vintage tulip tuners. Gibson's top luthiers build their custom shop guitars so you'll find none of the imprecise construction you might find on regular production models, plus the tone woods are all from their "A" inventory. This guitar plays incredibly well and has excellent acoustic projection.

Plugged in it sounds superb. Includes velvet-lined Gibson custom shop case, original warranty and manual. Very comfortable weight at under 9 lbs 2 oz. Just about everything you need for a killer bass pedal including preamp controls, two channels with footswitchable distortion channel, noise gate, and XLR direct out. I used to carry a Bass Rockman in my bass case in the event of amp failure and I'd just run string into the house in that event.

This thing is much more versatile than the Rockman unit and the distortion channel is better. Hearing is believing so click here for a demo. Search Myspace Start typing Please try again. Photo from. You're now in slide show mode. Forgot password? Keep me signed in. Your email? The email you used to create your account.

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